Read Studies in Performance and Early Modern Drama: Tragedy and Trauma in the Plays of Christopher Marlowe in DOC
9781472431561 1472431561 Contending that criticism of Marlowe s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh critical perspective within which to make sense of the tension in Marlowe s plays between the tragic and the traumatic. The author argues that tragedies are trauma narratives, narratives of wounding; however, in Marlowe s plays, a traumatic aesthetics disrupts the closure that tragedy seeks to enact. Martin s fresh reading of Massacre at Paris, which is often dismissed by critics as a bad tragedy, presents the play as deliberately breaking the conventions of the tragic genre in order to enact a traumatic aesthetics that pulls its audience into one of the early modern period s most notorious collective traumatic events, the massacre of French Huguenots in Paris in 1572. The chapters on Marlowe s six other plays similarly argue that throughout Marlowe s drama tragedy is held in tension with-and disrupted by-the aesthetics of trauma.", Contending that criticism of Marlowea s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh critical perspective within which to make sense of the tension in Marlowea s plays between the tragic and the traumatic. The author argues that tragedies are trauma narratives, narratives of wounding; however, in Marlowea s plays, a traumatic aesthetics disrupts the closure that tragedy seeks to enact. Martina s fresh reading of Massacre at Paris, which is often dismissed by critics as a bad tragedy, presents the play as deliberately breaking the conventions of the tragic genre in order to enact a traumatic aesthetics that pulls its audience into one of the early modern perioda s most notorious collective traumatic events, the massacre of French Huguenots in Paris in 1572. The chapters on Marlowea s six other plays similarly argue that throughout Marlowea s drama tragedy is held in tension with-and disrupted by-the aesthetics of trauma."
9781472431561 1472431561 Contending that criticism of Marlowe s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh critical perspective within which to make sense of the tension in Marlowe s plays between the tragic and the traumatic. The author argues that tragedies are trauma narratives, narratives of wounding; however, in Marlowe s plays, a traumatic aesthetics disrupts the closure that tragedy seeks to enact. Martin s fresh reading of Massacre at Paris, which is often dismissed by critics as a bad tragedy, presents the play as deliberately breaking the conventions of the tragic genre in order to enact a traumatic aesthetics that pulls its audience into one of the early modern period s most notorious collective traumatic events, the massacre of French Huguenots in Paris in 1572. The chapters on Marlowe s six other plays similarly argue that throughout Marlowe s drama tragedy is held in tension with-and disrupted by-the aesthetics of trauma.", Contending that criticism of Marlowea s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh critical perspective within which to make sense of the tension in Marlowea s plays between the tragic and the traumatic. The author argues that tragedies are trauma narratives, narratives of wounding; however, in Marlowea s plays, a traumatic aesthetics disrupts the closure that tragedy seeks to enact. Martina s fresh reading of Massacre at Paris, which is often dismissed by critics as a bad tragedy, presents the play as deliberately breaking the conventions of the tragic genre in order to enact a traumatic aesthetics that pulls its audience into one of the early modern perioda s most notorious collective traumatic events, the massacre of French Huguenots in Paris in 1572. The chapters on Marlowea s six other plays similarly argue that throughout Marlowea s drama tragedy is held in tension with-and disrupted by-the aesthetics of trauma."